The site's critical consensus reads, " The Painter and the Thief uses the unlikely bond between a criminal and his victim as the canvas for a compelling portrait of compassion and forgiveness." On Metacritic, the film is currently assigned a weighted average score of 79 out of 100, based on 33 critic reviews, indicating "generally favorable reviews". It holds a 'fresh' 96% approval rating on review aggregator website Rotten Tomatoes, based on 110 critic reviews, with an average of 8.1/10. The Painter and the Thief received positive reviews from film critics, mainly for its direction, story, structure and emotional weight. The only way to do that was to see the world from his perspective." Critical reception Ree chose to present the film in an unconventional structure as “We wanted to portray Karl-Bertil as a complex, charismatic, intelligent guy. Kysilkova spoke English in the film as she didn't understand Norwegian. The film also uses the actual CCTV footage of the robbery, which was the main evidence in the trial. The courtroom recordings are the actual recording of the first meeting of Nordland and Kysilkova, where the latter brought with her an audio recorder to get the trial translated afterwards. She was also at the exhibition and participated in the trial. She took photographs and filmed the making of the two paintings that later would be stolen. The archival footage in the film is mainly filmed by a friend of Kysilkova, who already began filming her back in 2014. Eventually, they decided to make it a feature after seeing Nordland's first reaction to his portrait. The film started as a short documentary with the filmmakers not knowing what would happen or where the story would go. Ree began filming both of them together the fourth time they met. He contacted the painter Barbora Kysilkova and began filming her first, and it took some time to convince Karl-Bertil Nordland to participate. The idea for the film came when Ree read about the robbery in various Norwegian newspapers. In an interview with The Guardian, director Benjamin Ree said that he aimed to explore the questions "What do humans do in order to be seen and appreciated” and "What it takes of us to help and see others.” It was released in the United States on May 22, 2020. Shortly after, Neon acquired distribution rights to the film. The film had its world premiere at the Sundance Film Festival on January 23, 2020, where it won the World Cinema Documentary Special Jury Award for Creative Storytelling. I know there's probably not the biggest demand for it, but I'd be interested in a DVD release of this film so it could be seen as it was intended.The film follows Barbora Kysilkova, an artist, forming a friendship with Karl-Bertil Nordland, a man who stole her artwork. Of course, this means a good deal of the picture is lost on video. The film is also noteworthy for being a widescreen cartoon, which you don't see made very often these days. If you can get past this studio tampering, you'll find a very interesting and unusual animated film. Coyote-type character, and I think he would've been funnier if he had remained silent. I found the Jonathan Winters voice-over for the thief to be rather annoying and distracting, as the thief was intended to be a silent Wile E. In places, it makes me think a little of French animation I've seen. The film often has a more abstract than realistic look, which I find interesting. As others have pointed out, the look of the film owes a debt to MC Escher. It's too bad the studio thought it necessary to add mediocre songs (I dislike the American rule that all animated films must be musicals) and an annoying voice-over to a mute character, this is really one of the most visually interesting American animated films I've seen.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |